The famous Coivid-19 Song: "Living in a Ghost Town" , Rolling Stones Songs

The Rolling Stones have not published a new album before "Doom and Gloom" and "One More Kick" in 2012. Although the "Life in a Ghost Town" was great for COVID 19 times, it was written last year. The band launched "Live in a Ghost Town" on Thursday, followed by a video, and the single soared to the top of the iTunes album list, matching previous contributions by Eminem, Travis Scott, The Weeknd and Justin Bieber. It became the first No. 1 band success in 40 years.

Rolling Stones Song' top charts with 'Life in a Ghost Town' on iTunes 

The famous Rolling Stones had some excitement with a recent chart-topping album, their first No. 1 success on iTunes.

Yesterday, the band launched "Life in a Ghost Town," a stunning new single and accompanying video. Mick Jagger said he felt the song should "resonate through the days we're living through right now."

One day later, "Live in a Ghost Town" remains on the iTunes music list, well beyond the recent contributions of Travis Scott, The Weeknd, Drake, Megan Thy Stallion and Justin Bieber.

Credit the Stones' resilience and also a thirst for fresh material by the project, which has not published a new composition since "Doom and Gloom" and "One More Chance" in 2012.

While quite applicable to our quarantine-ravaged days, "Life in a Ghost Town" was originally published a year ago.

"We break the line in L.A. just over a year ago. It's part of a different initiative, an ongoing one, said Keith Richards. "We cut that track just about a year ago in L.A. It's part of a new idea, an continuing product," said guitarist Keith Richards to Deadline.The Rolling Stones: Live in the Ghost Town Analysis

After all, the Jagger and Richards Songwriting Team was not likely to over-exert themselves in their autumn years. It's been eight years after the Stones launched their original song – the same period of time that existed between the introduction of their first single and the launch of Sticky Fingers – and 15 years after their last album with new music, A Bigger Pop. Packing arenas have long been Stones' raison d'etre, and they are well conscious that they don't require fresh music to achieve so.On their most current tour – which started in 2017 and might still be ongoing if it weren't for the coronavirus pandemic – the most up-to-the-minute addition to their setlist was 25 years old, but didn't deter their European leg from pulling an eye-watering $237 m (£190 m).

Living in the Ghost Town: Review

In fact, their last studio album, Blue and Lonesome, comprised mostly of old blues and R&B covers and was, to some degree, their best recorded in decades. You would be forgiven for thinking that the Rolling Stones might never release a new music album again, and not least because Blue and Lonesome had a satisfying circularity to it, taking them right to where they started: Willie Dixon and Jimmy Reed numbers.

Or maybe not. Life in the Ghost Town was evidently the product of recent recording sessions. From Jagger's version, the words were already eerily prescient—"about living in a position that was full of life, and yet bereft of it ... Full of the words of the disease "– which have been reworked to match the present moment. They're definitely a much stronger effort to come up with something modern and up-to-date than A Bigger Bang's sloppy Nice Neo-Con or Jagger's Skepta-assisted solo England Wasted.

The album, however, sounds attractively sleazy, as is the case with a song in which Mick Jagger argues, quite Jaggerishly, that social isolation keeps him from getting as much fun as he might like. It's also burnt by the fascinating sense of slightly dub-influenced rooms. At one point, it breaks down to a little more than a slashing, ringing organ with a retro reggae sound. Elsewhere, you can detect a slight imitation of Blue and Lonesome's tone in a thin film of distortion that masks Jagger's harmonics and vocals.As demonstrated by his appearance You Can't Really Get What You Want On The One World: A live-streamed concert together at Home, his voice – with Keith Richards and Ronnie Wood's guitars swirling around him – seems resilient to the kind of destruction that a 76-year-old singer would presume to have experienced.

Later day Stones' albums were marred by a feeling of overwork – not least Bridges to Babylon, with its tortuous development and a multitude of manufacturers. But here, as in the case of Blue and Lonesome, he's knocked out in three days, writing at pace seems to have had a positive impact on music: Jagger claims he's composed it in 10 minutes. Living in the Ghost Town, she feels slim and comfortable on her feet. It's obviously not going to depose Brown Sugar or Compassion for the Devil from the setlist once the Stones return to the arena squad, but it's certainly more than what Jagger and Richards had achieved 15 years before.

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